When I think of Fellini's La Dolce Vita, I think of the Trevi Fountain sequence. It may be the highlight of the film, but is it the film? No. It is a small part, and that's all.
La Dolce Vita, or in English, The Sweet Life, is actually quite bitter. The film, known for its divided sequences, is episodic. Unlike life, it has the boring parts cut, instead, remain memories. All of them, bitter, but they are memories, none the less, and they are the important ones that truly define Marcello.