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| YOU'LL WIN AGAIN SOMEDAY |
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| YOU'LL WIN AGAIN SOMEDAY, TOO |
A simple explanation: I was listening to the nominations, and the last nominee announced was Benh Zeitlin, Beasts of the Southern Wild. I, of course, first heard the word Ben, so I assumed "Oh, Ben Affleck, Argo." But Zeitlin was added on to the name, and all became clear: THE BENH ZEITLIN, THE KID WITH A CAMERA THAT MADE A FILM FOR $180K. Wow. I was more shocked by the inclusions than the exclusions. I then realized Bigelow and Affleck were snubbed for their political thrillers, and instead two independent films with little known actresses made it in.
BEST PICTURE:
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| LIKE A BOSS #YOLO |
BEST ACTOR:
Joaquin made it in. It was a good lineup.
BEST ACTRESS:
No real shocks, unless you count Marion Cotillard not making it in as a 'shock'.
BEST SUPPORTING ACTOR:
It's a bummer Leo DiCaprio didn't get in, but the Academy did nominated the better Django performance: Christoph Waltz. There were no real surprises, but I wish Bardem got one for Skyfall.
BEST SUPPORTING ACTRESS:
There were only really 4 contenders for this one, so Jacki Weaver making it in didn't come with too much surprise. Again, no real surprises.
BEST DIRECTOR:
Where as the acting categories were not that surprising, the directing category was the bulk of all surprises. I really wish Bigelow got nominated for her masterpiece Zero Dark Thirty over Benh Zeitlin's Beasts.
THE SCREENPLAYS:
In the beginning of the season, I thought The Master would win Best Original Screenplay. Instead, it failed to get nominated, being cut out by Flight. Bummer, but that was probably the only surprise in the whole category. Adapted was predictable, unless you consider The Perks of Being a Wallflower as a lock.
