The second film in Terrence Malick's self-named Texas Trilogy, with the first being the moving Tree of Life, and the third presumably set in the Austin music scene. That all is besides the point. Right now is To the Wonder, a film shot with an expert's eye, told with expert abstractness, and requiring an expert amount of attention, if that makes any sense.
The story begins with Marina (Olga Kurylenko), a seemingly naive Parisian in a relationship with the near-silent Neil (Ben Affleck). We see them in the middle of a relationship, and Malick oddly never chooses to show the beginnings of their first or second relationships. Marina has a child, and that child is her daughter that wants to move to the US with Neil.
Tatiana, the child, is what we the audience view as the childish one in the relationship between Neil and Marina, since she is the child. Marina is our subject, and like The Tree of Life, is one subject that comes of age. Marina begins naive, free as a bird. The film depicts Marina feeling rejection, lust, anguish. All three of those, not in any order nor variety.
