2013 Oscar Nominations: Best Original Screenplay Nomination Predictions!

1. Spike Jonze, Her
Whoa, I literally exploded when Her won Best Screenplay at the Golden Globes. I was so happy, really. And now there is just a slight chance that Spike Jonze's masterpiece will win the Oscar it deserves.

2. Eric Warren Singer, David O. Russell, American Hustle
It's not really a screenplay when the movie is loosely improvised. It's hilarious, it's fun, breezy. But it's all fluff, really.

3. Bob Nelson, Nebraska
Written ten years ago by a debut writer, it's a total Hollywood story. Doesn't hurt if the movie itself if good too, ya know.

4. Woody Allen, Blue Jasmine
It's his 48th feature, but Woody Allen really knows how to write a modern rendition, with this one being A Streetcar Named Desire. Take notes Baz Luhrmann.

5. Joel and Ethan Coen, Inside Llewyn Davis
Word on the street is that voters hate the scene when Llewyn abandons the cat in the snow. Are you kidding me? Just because Llewyn abandons a cat, voters decide to not vote for what might as well be one of the best screenplays of the Coen brothers repertoire, and one of the best of the year? They must be joking really. I can't believe something so smoothly somber yet off-kilter and hilarious could go unrecognized by the WGA. The script is a masterpiece on it's own. But I think it can squeak in tomorrow. The Academy loves the Coens, and A Serious Man, probably their least accessible film, managed
a nomination in this category in 2009.

Keep your eyes peeled for Nicole Holofecener's Enough Said  and Dallas Buyers Club.

American Hustle- Movie Review by Sean Wu

Based on the first trailer, and the first scene of the first trailer, there is only one thing you need to know about the film: That there are two sides to everything and everyone. This is initially telling when Irving Rosenfeld (a hugely chubby Christian Bale) points out a forged Rembrandt picture to FBI agent Richie DiMaso (an off-the-walls Bradley Cooper).

So everything is more than meets-the-eye, and that's what makes the movie great. Literally everything is detailed, every main character is three-dimensional, every scene is thorough and fleshed-out, and many hilarious lines of dialogue mean more than they seem. It's a work of genius, the film, because it is so intelligent, well-crafted, and well-made.