This was one of the weirdest movies that had me with a goofy grin on my face.
QUICK OPINION:
I initially gave the picture 3 Stars, but this was out of impatience. The last 10 minutes went on for a good bit too long, and as previously stated, I gave the film 3 Stars just due to a sore bottom. Yes, 10 minutes could have been excised, but upon second thought, the film was incredibly dense and entertaining. Day-Lewis was a wise, well-written, and overall very likable as the titular Lincoln. I do think Sally Field's work in the film has been overestimated, but it is fine work, nonetheless. Major props to Kushner's eloquent screenplay, which had me (mentally) cheering, laughing, and the script also did an incredible job handling all of the subplots.
BEST PERFORMANCE:
No-brainer, but Daniel Day-Lewis as the 16th president. He carried every scene he had, and was in a 7/8 of all the movie.
BEST MOMENT:
Easily all the scenes when Lincoln was telling his stories. All of them were slightly off topic, but they were the main reasons I held a goofy grin for 140 of the 150 minute runtime.
Showing posts with label Tony Kushner. Show all posts
Showing posts with label Tony Kushner. Show all posts
Saturday, February 23, 2013
Monday, December 3, 2012
NYFCC winners! Zero Dark Thirty takes the big prize!
I'm afraid a bombed my predictions. BOMBED. The Master took home nothing, but Zero Dark Thirty won at least. Full winners below.
(Also, The Master will win LAFCA. Just a prediction.)
Best Picture: Zero Dark Thirty
Best Director: Kathryn Bigelow, Zero Dark Thirty
Best Actor: Daniel Day-Lewis, Lincoln,
Best Actress: Rachel Weisz, The Deep Blue Sea (WOW! Big (pleasant) surprise!)
Best S. Actor: Matthew McCougney, Magic Mike and Bernie (NYFCC loves multiple roles in a single year)
Best S. Actress: Sally Field, Lincoln (They liked her, they really really liked her)
Best Screenplay: Tony Kushner, Lincoln
Best Cinematography: Zero Dark Thirty
Best Animated Film: Frankenweenie
Best Foreign Film: Amour
Saturday, November 24, 2012
Lincoln (2012)- Spielberg cares more about Lincoln instead of the audience.
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