Saturday, November 16, 2013

2014 Oscar Predictions: Best Picture (11/16/13)


The last time I did a Best Picture prediction post was in May, when the Cannes Film Festival ended and Foxcatcher was still planned to come out this year. Oh the memories.

1. 12 Years a Slave
A prime release date. High acclaim. Based off a true story/ Great screenplay. Strong performances. Right now this looks like the film to beat, and one that maybe no one will come March. Did I mention that this film was based off a
true story?

2. Gravity
In any other year, this film would be a lock for a win. However, with 12 Years a Slave, this film is going to play second fiddle. Still, this film should be patting itself on the back for Bullock's incredible one-woman performance and the smashing box office success this film was.

3. American Hustle
Directed by maybe the most successful director of this decade, David O. Russell. A stellar cast working the reigns and the six-minute p
review out of the AFI Fest is so far saying good things. December cannot come any sooner.

4. Captain Phillips
Though I did not like this film as much as many other people did, you simply can't count this one out of the race. The performances by Tom Hanks and Barkhad Abdi are worthy of acclaim, and this film does have what it takes to amass the #1 votes.

5. Saving Mr. Banks
Another Tom Hanks feature, but with 1990's Oscar champ Emma Thompson leading. This is the sweet stuff that will appeal to a certain Oscar crowd. Word out of London and AFI says that this film isn't shabby too.

6. The Wolf of Wall Street
Is this Shutter Island or Hugo? Casino or GoodFellas? Either way, this film is hotly anticipated, and one cannot simply count out Scorsese.

7. Inside Llewyn Davis
A hit out of Cannes, and if A Serious Man managed a nom, shouldn't this one be a lock? Like Scorsese, you simply cannot count out the Coens.

8. Her
The Academy has recognized Spike Jonze's Adaptation and Being John Malkovich, and word from NYFF says that this one is trump. It it just too crowded? Expect a screenplay nomination at least.

9. Nebraska
This is a strong film in a strong year, but again, is it just too crowded? The chances for Dern earning an acting nomination seem to be increasingly likely, so this could go two ways: Many nominations for the film, or just the acting and screenplay nomination.

Doesn't matter, with films like these, this is maybe the strongest year in film since 2007 or maybe even 1999. Wow.

Don't count out these films though:

Blue is the Warmest Color
Expect critics groups to go gaga for Blue. With a 3
hour runtime and publicity between feuding actors and director Abdellatif Kechiche, this film just might get the attention necessary to warrant viewers and #1 votes. Also since this film is ineligible for the Foreign prize, there's a slim chance that the Academy might want to find a way to reward this film. Also a dark horse contender in this film is lead actress Adele Exarchopolous, a fresh face that's already been doing some campaigning on her part.

Blue Jasmine
Cate Blanchett is still the one to top for the Best Actress category, and this is also Allen's best film since Crimes and Misdemeanors. This is bubbling under the Best Picture pack, but Sony Pictures Classics is a mighty mouse in a lion's game: they consistently nab foreign language Oscars and last year got five nominations for Amour.

The Butler and August: Osage County
Both of these films have stellar casts, despite mixed reception (I can testify about The Butler). These two ar films that will easily appeal to the acting branch.

Thursday, November 14, 2013

Wes Anderson's new short, Castello Cavalcanti

Oddly enough, this is an ad for Prada. How I'd love to see this as an expanded feature. Can't wait for The Grand Budapest Hotel. 

12 Years a Slave (2013)- Movie Review by Sean Wu

A near-masterpiece of a film that highlights the brutality and injustice of American slavery. Chiwetel Ejiofer is Solomon Northup, a free man that is kidnapped into slavery for 12 years before regaining freedom. Ejiofer is brilliant in the film, for he is a character we root for and attach to, and we (the audience) root for anything he does, especially when he defies his masters.

Tuesday, October 22, 2013

BREAKING: The Monuments Men moved to 2014!

First The Wolf of Wall Street moved to Christmas Day, but now we have a shake up bigger than the one for Foxcatcher: George Clooney's latest is pushing for a February 2014 release date instead of a December one, stating "the film's visual effects could not be completed in time". Based on the article from the LA Times, it appears Clooney was under a lot of pressure to make the film by the deadline, and that seemed impossible.

Way back in July, when GoldDerby released a claim that The Monuments Men would gun for below-the-line categories due to the film being 'popcorn fare'. Visual Effects was one of them, before the theory was debunked. It is now fully possible that it was Clooney's intention to make a good film instead of what appeared to be Oscar bait. It's a smart move by Clooney, especially since the film was caught in the middle of a jam packed year. I mean, if filming concludes in July, you can't expect to get the desired film without more time.

Tuesday, October 15, 2013

The Hunt (2012)- Movie Review

After the explosive acclaim of The Celebration, Thomas Vinterberg hit a rough patch in his filmmaking. In 2012, The Hunt was released to great reviews and resulted in lead actor Mads Mikkelson winning the Best Actor prize at Cannes. He was 100% worthy of the award.

Monday, October 14, 2013

The Great Beauty (2013)- Movie Review

Federico Fellini just might be my favorite director. He was a man that could handle humanity, emotions, and all-out goofiness into one satisfying movie experience. One of his best films (not saying much or anything) is La Dolce Vita, a film that may display a high life of sex and glamour, but has a heart as bitter as brown tea. To say that Pablo Sorrentino's The Great Beauty owes something to La Dolce Vita is an understatement: This film is a spiritual remake of the film, down to the sex-filled parties and the disillusioned writer.

Thursday, October 10, 2013

Tuesday, October 8, 2013

Gravity (2013)- Movie Review

I've always wanted to be a part of an movie 'event'. I've always envied the youth that lined the block on the opening weekends of Jaws and Star Wars, those that witnessed Apocalypse Now on the grand Cannes stage. Despite seeing Avatar twice in one week, I feel that I've finally seen a future classic while it was a new film. This masterpiece is Alfonso Cuaron's Gravity, one of the greatest sci-fi films ever made, and easily one of the best films of the year.

In 2006, Cuaron released the uber-realistic sci-fi Children of Men, a film where a yet-to-be-born child is the ray of light in the soon-to-be-extinct dark world. With the help of Emmanuel Lubezki, Children of Men had incredible, almost dreamlike shots stretching into ranges of up to four minutes. Since seven years have passed between Men and Gravity, expectations have been unrealistically high.