Showing posts with label Oscar Isaac. Show all posts
Showing posts with label Oscar Isaac. Show all posts

Saturday, January 4, 2014

National Society of Film Critics decides to be the smartest organization by giving the top prize to Inside Llewyn Davis.

Seriously. Snubbed by the WGA and the PGA, Inside Llewyn Davis is being skunked like a naive camper picking up zebra cats. This does mean that ILD has what it takes to get the #1 votes, right?
BEST PICTURE
*1. Inside Llewyn Davis – 23
2. American Hustle – 17
3. 12 Years a Slave – 16
BEST DIRECTOR
*1. Joel and Ethan Coen (Inside Llewyn Davis) – 25
2. Alfonso Cuarón (Gravity) – 18
3. Steve McQueen (12 Years a Slave) – 15
BEST FOREIGN-LANGUAGE FILM
*1. Blue Is the Warmest Color – 27
2. A Touch of Sin – 21
3. The Great Beauty – 15
BEST NON-FICTION FILM
*1. The Act of Killing (Joshua Oppenheimer) – 20
*1. At Berkeley (Frederick Wiseman) – 20
3. Leviathan (Lucien Castaing-Taylor and Véréna Paravel) – 18
BEST SCREENPLAY
*1. Before Midnight (Richard Linklater, Julie Delpy, Ethan Hawke) – 29
2. Inside Llewyn Davis (Joel and Ethan Coen) – 26
3. American Hustle (Eric Singer and David O. Russell) – 18
BEST CINEMATOGRAPHY
*1. Inside Llewyn Davis (Bruno Delbonnel) -28
2.Gravity (Emmanuel Lubezki) – 26
3. Nebraska (Phedon Papamichael) – 19

Thursday, December 26, 2013

Inside Llewyn Davis (2013)- Movie Review by Sean Wu

There was a poll on Letterboxd in November, asking if you were to erase either Inside Llewyn Davis or The Wolf of Wall Street off the face of the Earth, which one would you pick? Consensus had it with Inside Llewyn Davis would be mystery while Scorsese's latest being history. I picked to erase The Wolf of Wall Street, a film that I was much more excited for, but I already knew that Inside Llewyn Davis was a great film, and at the time, The Wolf of Wall Street was not even complete. Now after seeing Inside Llewyn Davis, I can say that it might be the best film of the year, and maybe even the best film that the Coen brothers have ever done.

Saturday, July 6, 2013

2014 Oscars: Best Actor predictions (7/6/2013)

Oscar season's begin is just more than a month away, with Venice starting in late August. Still, there is a certain amount of time to still do Oscar prognostication!

1. Leonardo DiCaprio, The Wolf of Wall Street
Leo has been consistently snubbed for nominations, including his most recent work in Django Unchained. Again, he has Scorsese directing him, and I think this time he might win.

2. Tom Hanks, Captain Phillips
Tom Hanks is pure Oscar-gold. This film has a distinct advantage due to him being the distinct star of the film, and his likability will be guarantee value on the campaign trail. Then again, he has won two time before, so... I have him as second most likely.

3. Steve Carrell, Foxcatcher
Steve Carrell is one of recent comedy's shining stars, but that will only make his portrayal of schizophrenic John DuPont only more surprising. Bennett Miller, the director, is also 2-for-2 when it comes to Best Actor nominations, and even leading to a win for Phillip Seymour Hoffman in Capote.

4. Matthew McConaughey, Dallas Buyers Club
Matt McConaughey is having an extremely incredible hot streak in films lately. He was in Jeff Nichols' Mud, and was the best part. He hasn't done a rom-com since 2009! Either way, this film is already recieving publicity due to McConaughey's extreme weight-loss as AIDS activist Ron Woodruff.

5. Oscar Isaac, Inside Llewyn Davis
Oscar Isaac is a true character actor, and this will be a guaranteed breakout role for the actor. The trailer portrays his growly singing and his poor condition. It is a guaranteed contender for CBS Films. I think this film will make a big impact on the campaign trail, so Oscar Isaac will be swept up with the film.

I also would like to mention Bruce Dern's work in Nebraska, a role that might fare better in the Supporting Actor category.

Saturday, May 25, 2013

Cannes roundup and predictions!

So tomorrow it ends, the 65th Cannes Film Festival. The fest has been angering and mostly underwhelming. Outside of raves for The Past, Inside Llewyn Davis, and Blue is the Warmest Color, not much has been liked at all. Sure, Behind the Candelabra was well-received, and Paolo Sorrentino's The Great Beauty was liked, but everything else has been a disappointment.

Especially Only God Forgives. What fantastic trailers! The film is generally regarded as the worst one in competition, despite the massive hype. What disappointment!

To be 100% honest, I anticipated almost every film in the competition, so it pained me to see Nebraska get side-stepped, Jimmy P. to be ignored (and at this point, forgotten), and The Immigrant to be so low. It's now time to see which films will take home the big prizes.

Predictions after the jump.