2013 Oscar Nominations: Best Actor Nomination Predictions!

This is the year's most packed category. Maybe this could be like the Emmys, where there were seven Best Actress nominees.

1. Matthew McConaughey, Dallas Buyers Club
Geez this guy is great. He's great in the movie, he has Mud on his resume, ran away with the first ten minutes of The Wolf of Wall Street, and also is incredible in the first episode of True Detective. God he's on a hot streak. And the best way to reward Matthew McConaughey is with an Oscar. Nomination, at least.

2. Chiwetel Ejiofer, 12 Years a Slave
What a triumphant performance. Really. This movie is great, and Ejiofer owns it.

3. Bruce Dern, Nebraska 
Yo. The movie's good, and Dern was probably the best part of it. It's funny on paper, and right below it is withering humanity and regret. And Dern, a well-liked Academy member, might get his nomination almost like a lifetime achievement sort of deal.

4. Leonardo DiCaprio, The Wolf of Wall Street
Quality film, and DiCaprio being an actor that tends to overact, totally owns this role that is so unhinged and so damn crazy. Also winning the Golden Globe doesn't hurt.

5. Tom Hanks, Captain Phillips
He's Tom Hanks. Two-time Oscar winner in two years. Also the movie's based off a true story, that doesn't hurt.

Also don't forget about Robert Redford (All is Lost) and Christian Bale (American Hustle), two performances that would easily slide in if it was less crowded.

2013 Oscar Nominations: Best Director Nomination Predictions!

I'm a hunter shooting with a crappy gun in the dark when it comes to this category. Really, this category messed with everyone last year, especially since Bigelow and Affleck weren't nominated last year.

1. David O. Russell, American Hustle
The leading best picture contender, and it's pretty much a lock for a nom. Actually the whole top three is.

2. Alfonso Cuaron, Gravity
Yo. Seriously. Visual movies are the ones that fit the directing category best, and Gravity is no exception. Actually, I don't know how to rank
the top three, all that matters that they are locks.

3. Steve McQueen, 12 Years a Slave
One of the best directed films of the year, crafted by a true artist. Totally worthy of the director recognition.

4. Martin Scorsese, The Wolf of Wall Street
He's Scorsese. Not always a winner, but his seventy-one year old energy is
too infectious to ignore in such a stylistic picture.

5. Spike Jonze, Her
Beautifully crafted American masterpiece. Has such a huge fanbase, and the film is amazing. And even if her isn't recognized tomorrow, he is a lock for the screenplay category.

Keep your eyes peeled for Paul Greengrass (Captain Phillips), Alexander Payne (Nebraska), and the Coens (Inside Llewyn Davis).

2013 Oscar Nominations: Best Picture Nomination Predictions!

So I've been slacking, no big deal. Final predictions, here goes nothing!

1. American Hustle
Winner of three Golden Globes, including Amy Adams. David O. Russell is on a hot streak too, so here's what's up: this movie is packing the heat. If we had a winner as of now, it would be American Hustle.

2. 12 Years a Slave
Enough said. No, not the Nicole Holofecener one. This film, despite winning only one Globe, took the Best Drama one. Winner of the TIFF People's Choice prize. Yea, it's a lock for a nom.

3. Gravity
Every year has one film that's a visual amazement. And those films were Avatar, Inception (not 3D, but still), Hugo, and Life of Pi. The list of films listed above were major Oscar contenders in their years, and Gravity might be the strongest one of recent memory. It's certainly the best one. And Cuaron's Globe win doesn't hurt at all.

4. Nebraska
Everyone's eating up this small town flick by the deadpan quirk man Alexander Payne. It's good, yea, but most people seem to like the movie more than me. I can see why.

5. Her
It's the best film since Martin Scorsese's GoodFellas. I know that the movie has an audience, and I'm part of it. It's so good. I don't have to hope for votes, though, it's bound to get nominated. It's so worthy.

6. The Wolf of Wall Street
Amid the controversy is a passionate fanbase. It's a great movie, no doubt. Masterpiece level really. And since voters can't mark films they hate, the film's fanbase is bound to get it nominated.

7. Captain Phillips
Probably the weakest out of all nominees. I really can't see it getting number one votes, but it's hit all the guilds, and that's what counts. Whatever, I'll count it as a nominee.

8. Saving Mr. Banks
Another Tom Hanks picture, supported only by Emma Thompson's lead performance. One month ago we were looking at the possible winner, now we're just seeing a movie headed for two noms.

9. Dallas Buyers Club
The underdog of the Oscar season. It's been on the PGA, the WGA, the SAG... and McConaughey plus Leto really make the film a contenda. Actors will vote this one high.

10. Inside Llewyn Davis
Good god I wished this one was a lock. It's the best film by the Coen brothers. Really. Despite falling off the WGA and PGA list, the film did win the National Society of Film Critics and AFI, so it's got a fanbase. The Academy has a thing for the directing duo, since True Grit surprised with 10 noms and A Serious Man was a total surprise in 2009.

Look out for Blue Jasmine, Fruitvale Station and Philomena. This year is so packed.

Golden Globes Predictions.

So this is late, no big deal. Make bets, I don't know.

BEST MOTION PICTURE- DRAMA
12 Years a Slave
BEST MOTION PICTURE- COMEDY
American Hustle
BEST ACTOR- DRAMA
Chiwetel Ejiofer, 12 Years a Slave
BEST ACTOR- COMEDY
Bruce Dern, Nebraska
BEST ACTRESS- DRAMA
Cate Blanchett, Blue Jasmine
BEST ACTRESS- COMEDY
Amy Adams, American Hustle
BEST SUPPORTING ACTOR
Jared Leto, Dallas Buyers Club
BEST SUPPORTING ACTRESS
Jennifer Lawrence, American Hustle
BEST DIRECTOR
Alfonso Cuaron, Gravity
BEST SCREENPLAY
American Hustle / Her (I just want Her to win...)
BEST ANIMATED FEATURE
Frozen
BEST FOREIGN LANGUAGE FILM
Blue is the Warmest Color
BEST ORIGINAL SCORE
Gravity
BEST ORIGINAL SONG
Please Mr. Kennedy, Inside Llewyn Davis

Her- Movie Review by Sean Wu

Finally, I can shut the book on 2013. And there is no better way to cap out the year with Her, the best film of 2013. As a whole, this bizarrely beautiful Spike Jonze love story is so perfect because of three scenes:

First, after Joaquin Phoenix's mopey Theodore Twombly meets his OS, he brings her to work to help him proofread his letters he's ghostwriting. His system Samantha reads them out loud at first, and Theodore tells her she doesn't have to. She responds with an unenthusiastic and somewhat disappointed okay. An awkward silence falls occurs, and Theodore tells her that she can. She responds with an enthusiastic and jovial "Okay!"

The scene, on paper, sounds good. But on the screen, it's beautiful. Scarlett Johansson performs so brilliantly with just her voice alone, my heart honestly melted at the moment she said the second "Okay!". Maybe because the OS voice is so human and so familiar that I was able to relate to Samantha on a human level.

DGA Nominees!

So the nominations are in, and it's fine. Nothing too surprising.

Paul Greengrass, Captain Phillips
Steve McQueen, 12 Years a Slave
Martin Scorsese, The Wolf of Wall Street
Alfonso Cuaron, Gravity
David O. Russell, American Hustle

PGA and WGA announce, recognize Dallas Buyers Club, skunk

I mean, Dallas Buyers Club is a pretty solid flick, but over Inside Llewyn Davis? How about no.

American Hustle
Blue Jasmine
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Saving Mr. Banks
12 Years a Slave
The Wolf of Wall Street

...and the WGA nominees.

BEST ORIGINAL SCREENPLAY

American Hustle

Blue Jasmine

Dallas Buyers Club

Her

Nebraska

BEST ADAPTED SCREENPLAY

August: Osage County

Before Midnight

Captain Phillips

Lone Survivor

The Wolf of Wall Street

National Society of Film Critics decides to be the smartest organization by giving the top prize to Inside Llewyn Davis.

Seriously. Snubbed by the WGA and the PGA, Inside Llewyn Davis is being skunked like a naive camper picking up zebra cats. This does mean that ILD has what it takes to get the #1 votes, right?

BEST PICTURE

*1. Inside Llewyn Davis – 23

2. American Hustle – 17
3. 12 Years a Slave – 16

BEST DIRECTOR
*1. Joel and Ethan Coen (Inside Llewyn Davis) – 25
2. Alfonso Cuarón (Gravity) – 18
3. Steve McQueen (12 Years a Slave) – 15

BEST FOREIGN-LANGUAGE FILM
*1. Blue Is the Warmest Color – 27
2. A Touch of Sin – 21
3. The Great Beauty – 15

BEST NON-FICTION FILM
*1. The Act of Killing (Joshua Oppenheimer) – 20
*1. At Berkeley (Frederick Wiseman) – 20
3. Leviathan (Lucien Castaing-Taylor and Véréna Paravel) – 18

BEST SCREENPLAY
*1. Before Midnight (Richard Linklater, Julie Delpy, Ethan Hawke) – 29
2. Inside Llewyn Davis (Joel and Ethan Coen) – 26
3. American Hustle (Eric Singer and David O. Russell) – 18

BEST CINEMATOGRAPHY
*1. Inside Llewyn Davis (Bruno Delbonnel) -28
2.Gravity (Emmanuel Lubezki) – 26
3. Nebraska (Phedon Papamichael) – 19

Inside Llewyn Davis (2013)- Movie Review by Sean Wu

There was a poll on Letterboxd in November, asking if you were to erase either Inside Llewyn Davis or The Wolf of Wall Street off the face of the Earth, which one would you pick? Consensus had it with Inside Llewyn Davis would be mystery while Scorsese's latest being history. I picked to erase The Wolf of Wall Street, a film that I was much more excited for, but I already knew that Inside Llewyn Davis was a great film, and at the time, The Wolf of Wall Street was not even complete. Now after seeing Inside Llewyn Davis, I can say that it might be the best film of the year, and maybe even the best film that the Coen brothers have ever done.

American Hustle- Movie Review by Sean Wu

Based on the first trailer, and the first scene of the first trailer, there is only one thing you need to know about the film: That there are two sides to everything and everyone. This is initially telling when Irving Rosenfeld (a hugely chubby Christian Bale) points out a forged Rembrandt picture to FBI agent Richie DiMaso (an off-the-walls Bradley Cooper).

So everything is more than meets-the-eye, and that's what makes the movie great. Literally everything is detailed, every main character is three-dimensional, every scene is thorough and fleshed-out, and many hilarious lines of dialogue mean more than they seem. It's a work of genius, the film, because it is so intelligent, well-crafted, and well-made.